gman5250
Charter Member
Here's the update after today's first run in the recovery software.
At first glance it looks like all of the bitmap art will be salvageable, but only in a massive lump with my work mixed in with every photo ever taken and my wife's art, which by the way, makes my work look entirely insignificant. There are no file names...just numbers. It's not good for the 3D Studio files, just lumps of mesh with no architecture at all. I can't even separate mesh elements. Looks like a total loss for the re-formatted back up disk.
I was hoping that the 3D Studio work would retain some syntax, but that does not appear to be the case. What is recovered is a very large file size that will not open, import or merge into Max. The preview shows an image, but that is a simple thumbnail, not a model.
All of my backed up purchases are, of course, available from the vendors but I spend 99.999% of my time flying the dev work. Bottom line, all of the scenery and aircraft modeling are grey goo. The original work I did for ORBX is a total loss, along with my five sceneries...KBIH, KMMH, KNFL, KRNO and KNZY North Island. If you count Tippela and Squamish it's seven.
That's lot of work...about 52,000 man hours by my math.
The only ray of hope is the system image I did back in September. I backed up the entire system using Acronis, so there may be intact data on the desktop there.
We had a fire here a couple of years ago. A power line blew down in 100 mph wind and the ensuing fire tore up a canyon, devastating an entire community in minutes. People were loading their horses and driving WFO down the single, winding mountain road in zero visibility to get out. Two days later, the community looked like a war zone. One member of that community was the local newspaper editor, who has been kind enough to grace me with an occasional byline. Ted fled his home as it was being consumed and returned to a single chimney surrounded by smoking ash. In that ash were accumulated twenty five years of printed articles, sources, stories and bylines that represented the sum total of his work. What remained was a sea of gray, smoldering fog punctuated by sculptures of iron pipe and ghostly silhouettes. Ted went on to rebuild his newspaper.
Life is a curious thing.
At first glance it looks like all of the bitmap art will be salvageable, but only in a massive lump with my work mixed in with every photo ever taken and my wife's art, which by the way, makes my work look entirely insignificant. There are no file names...just numbers. It's not good for the 3D Studio files, just lumps of mesh with no architecture at all. I can't even separate mesh elements. Looks like a total loss for the re-formatted back up disk.
I was hoping that the 3D Studio work would retain some syntax, but that does not appear to be the case. What is recovered is a very large file size that will not open, import or merge into Max. The preview shows an image, but that is a simple thumbnail, not a model.
All of my backed up purchases are, of course, available from the vendors but I spend 99.999% of my time flying the dev work. Bottom line, all of the scenery and aircraft modeling are grey goo. The original work I did for ORBX is a total loss, along with my five sceneries...KBIH, KMMH, KNFL, KRNO and KNZY North Island. If you count Tippela and Squamish it's seven.
That's lot of work...about 52,000 man hours by my math.
The only ray of hope is the system image I did back in September. I backed up the entire system using Acronis, so there may be intact data on the desktop there.
We had a fire here a couple of years ago. A power line blew down in 100 mph wind and the ensuing fire tore up a canyon, devastating an entire community in minutes. People were loading their horses and driving WFO down the single, winding mountain road in zero visibility to get out. Two days later, the community looked like a war zone. One member of that community was the local newspaper editor, who has been kind enough to grace me with an occasional byline. Ted fled his home as it was being consumed and returned to a single chimney surrounded by smoking ash. In that ash were accumulated twenty five years of printed articles, sources, stories and bylines that represented the sum total of his work. What remained was a sea of gray, smoldering fog punctuated by sculptures of iron pipe and ghostly silhouettes. Ted went on to rebuild his newspaper.
Life is a curious thing.
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